Watching Edie - Couverture souple

***This excerpt is from an advance uncorrected copy proof***
Copyright © 2016 Camilla Way

AFTER

Outside my kitchen window the long afternoon empties of light. I look at London stretched out far below, my dripping hands held poised above the sink. The doorbell rings, one long high peal; the broken intercom vibrates. The view from up here, it’s incredible, as if you’re flying. Deptford and Greenwich, New Cross and Erith, then the river, and beyond that there’s the Gherkin, over there the Shard. From my top-floor flat here on Telegraph Hill, you can see forever and as usual it calms me, soothes me: how big it is, how small I am, how far from where I used to be.

The doorbell rings more urgently—whoever it is putting their finger on the buzzer and holding it there. The night hovers.

At first I used to see Heather everywhere. Connor too, of course. From the corner of my eye I’d catch a glimpse of one or the other of them, and there’d be that sharp, cold lurch that would leave me sick and shaken long after I’d realized that it had been an illusion; just a stranger with similar hair or the same way of walking. Whenever it happened I’d go somewhere busy and lose myself among the crowds, roaming the southeast London streets until I’d reassured myself that all that was very far away and long ago. A small West Midlands town a million miles from here. And the doorbell rings and rings as I’d always known it would one day.

I live on the top floor of a large, ugly Victorian building, and there are lots of us squashed in here side by side, in our small, drafty little flats. Housing Association, most of us. And when I wedge my door open with a shoe and go down to answer the bell, past four floors of white doors marked with brass letters, the early-evening sounds seep from beneath each one: a baby crying, a telly’s laughter, a couple arguing: the lives of strangers.

I’m entirely unprepared for what’s waiting for me beyond the heavy, wide front door and when I open it the world seems to tilt and I have to grip the doorframe to stop myself from falling. Because there she is, standing on my doorstep, staring back at me. There, after all this time, is Heather.

And I have imagined this, dreamed of this, dreaded this, so many hundreds of times for so many years that the reality is both entirely surreal and anticlimactic. I see and hear life continuing on this ordinary London street on this ordinary afternoon—cars and people passing, children playing down the street, a dog barking—as if from far away, and as I stare into her face the sour taste of fear creeps around the back of my tongue. I open my mouth, but no words come and we stand in silence for a while, two thirty-three-year-old versions of the girls we’d once been.

It’s she who speaks first. “Hello, Edie,” she says.

And then she does the unthinkable. She steps across the threshold (my heart jumping as she looms so suddenly close), wraps me in her arms, and hugs me. I stand there rigid, enclosed, as memories slam into me: the wiry feel of her hair as it brushes against my cheek, that weird fried-onions smell her clothes always had, her tall, heavy presence. My mind is empty. I am only my heart knocking in my throat, and now she’s following me into the hallway—no, no, no, this is just one of your dreams—and up the stairs, past all the other doors with their brass letters and their chipped paint, and we’re at the top and I’m watching my hand as it pushes open my door and we’re here inside my kitchen—no, no, no, no, no—and we’re sitting down at my table, and I’m staring into the face I’d once hoped never to see again for the rest of my life.

Neither of us speaks at first and I’m suddenly filled with longing for my quiet, solitary life within these three cramped rooms of just moments before. The tap drips, the seconds pass, the browning tendrils of my spider plant shiver on the windowsill. I get up so I don’t have to look at her, and I turn away and grip the work surface. With my back to her like this, I finally manage to speak. “How’d you find me, then?” I ask, and when she doesn’t answer I look back and see that she’s gazing around the room, peering across the hallway to the narrow lounge with its fold-down bed.

“Hmm?” she says vaguely. “Oh.” She looks at me. “Your mum. Still lives in your old place, doesn’t she?”

And I nod, although I hadn’t known, because Mum and I haven’t spoken in years and in that instant I’m back there, in the old Fremton house. We’re in the kitchen, the strip light flickering, the blackness outside making mirrors of the windows. I’m crying and telling Mum everything, every single thing about what happened that night, as if telling her might stop the screaming in my head, clear the pictures from my mind. I tell her about Heather and Connor and what they did, but it’s as if I’m telling her about some horror film or a nightmare I’ve had. I listen to myself say the words and I can’t believe that what I’m saying is true. I don’t stop talking until I’ve told her every last detail, and when I’ve finished, I reach for her, but Mum’s body is rigid and her face gray with shock. She backs away from me, and never, never again in my life do I want someone to look at me the way she does then.

When she finally speaks she spits out her words like stones. “Go to bed, Edith,” she says. “And don’t ever talk to me about this again. Do you hear me? I never want to hear about this again.” She turns her back, staring at the window and I see her pinched, awful face reflected in the glass. The next morning I get up before dawn, take some money from her purse, and catch the train to my uncle Geoff’s in Erith, and I never go back there again.

I’m stunned by what Heather has told me: that my mother had my address to give her amazes me. My uncle never knew what caused the rift between us and always hoped that we would one day reconcile, so the fact that he passed it on to her is no surprise. But that Mum had actually written it down and kept it safe somewhere is a revelation.

I feel exhaustion roll over me in waves, but still I force myself to ask, “What do you want, Heather? Why have you come here now?” Because I always knew, really, that this moment would come. Hadn’t I dreamed about it night after night, woken in the small hours sick with the fear of it, looked over my shoulder certain it was approaching, out there somewhere, getting steadily closer?

She doesn’t answer at first. On the table in front of her, she’s put her bag: a black woolen knitted thing with a chipped plastic button. Clinging to the wool are bits of fluff, crumbs, and lots of little ginger hairs; cats’ hairs, maybe. Her small hazel eyes peer at me beneath sparse pale lashes; she wears no makeup except for an incongruous smear of bright pink lipstick that looks as if it should be on someone else’s face. In the silence a woman’s voice drifts up to us from the street, “Terry . . . Terry . . . Terrrrrrr-eeeeeee . . . ,” and we listen to it dwindle and die, and at that moment the darkness over London pounces, that sad, final instant where daylight vanishes, the electric lights of the city suddenly strong, and I hear a faint tremor of hurt and reproach in Heather’s voice as she says, “Nothing. I don’t want anything. I just wanted to see you again.”

I try to make sense of this, my mind confusedly grasping at various possible explanations, but then she starts to speak again, and she says—with loneliness like an open wound, so raw and familiar that I have to turn my eyes from it—“You were my best friend.”

“Yes,” I whisper. And because I have no idea what else to do, I get up and put the kettle on and I make some tea while Heather talks, for all the world as though this were an ordinary visit—two old friends catching up: how she lives in Birmingham now (“we moved not long after you left”), the newsagent’s where she works part-time.

As she talks I take in little glances. Such an ordinary-looking woman. A little on the large size, her chubby hands folded in front of her on the table, her soft Welsh accent, her shoulder-length hair, her eager smile. “Do you still live with your mum and dad?” I ask, for something to say, falling in with the game she’s playing, if that’s what this is. And she nods. Yes, I think—it would be hard, even now, to imagine her coping without them. She was never stupid, Heather, not backward or anything like that—in fact, she’d always done well at school. But despite her cleverness, there’d always been an inexplicable something missing somehow, an innocence that made her vulnerable, too easily led astray. I sit down in the chair next to her. “Heather,” I say quickly, before I lose my nerve, “Heather, what do you want?”

But instead of answering she reaches over and taking me by surprise, gently pulls a strand of my hair between her fingers. “Still so pretty, Edie,” she says dreamily. “You haven’t changed a bit.” And I can’t help it: I flinch so obviously that I have to get to my feet, cluttering the tea things together in the sink, her eyes boring into my back.

“Can I see your flat?” she asks, and when I nod she goes and stands at the door to my tiny living room. I follow her, and together we look in at the cramped, dusty mess, the fold-down bed, the rail of clothes, the crappy, secondhand telly. “It’s lovely,” she says in a hushed voice. “You’re so lucky.” And I have to stifle a sudden desire to laugh. If you had asked me at sixteen what sort of person I would become, what sort of life my future self might lead, I would never have pictured this.

It occurs to me that she must have found her way to London by herself, and then made her way through the city to get here, and I’m both impressed and horrified by this. The thought hits me that she might expect to stay the night, and the idea is so awful that I blurt, “Heather, I’m really sorry but I have to go out. I have to go out soon and it’s been so nice to see you again, but I really do have to—”

Her face falls. “Oh.” She looks around the room wistfully, disappointment etched into her face. “Maybe I could stay here until you get back.”

She eyes my sofa hopefully and I try very hard to keep the panic from my voice as I lie, “I’m going away for a few days actually, with friends,” and I begin to steer her back toward the kitchen. “I’m sorry.” Reluctantly she nods and follows me to where she’s left her coat and bag. I watch her, my heart sinking, knowing I should relent. She’s only been here fifteen minutes after all. But I stand there as she puts her coat on, and I say nothing.

“Can I have your number?” she asks. “I could phone you and then next time we could spend the day or even the weekend together.”

There’s such longing in her eyes that I feel myself nodding hopelessly and she rummages eagerly in her bag. I watch her, my arms folded tightly, as she slowly punches my name into her mobile.

She looks up expectantly, but something in my posture or the angle in which I’m standing reveals something to her and as realization dawns, her mouth gapes. “You’re pregnant!” she says.

For the briefest moment I see something in her eyes that makes me shudder, though I don’t know why—just for a second something else peeps out at me from behind her hazel stare. My hands fly defensively to my belly and an image, gone almost before it’s there, of Heri’s face flickers across my mind. I don’t reply.

“Well,” she says after a silence, “congratulations. How lovely.” As she continues to gaze at me, her pupils twitch intently, and sensing that she’s about to ask more questions, I rattle off my number and watch as she punches it in, agonizingly slowly, until finally I open the door and say good-bye as warmly as I know how, and at last she turns to leave. But just before she does she pauses and says very softly, “Do you remember the quarry, Edie? How we used to go up there together, all of us?”

I feel momentarily light-headed, a wave of nausea washes over me, and when I speak my voice is barely a whisper. “Yes.”

She nods. “Me too. I think about it all the time.” And then, finally, she leaves, her sensible lace-ups clattering upon the staircase as she retreats lower and lower. I lean against the wall, weak with relief, until from far below I hear the front door’s heavy slam as she closes it behind her, like a jailer.

BEFORE

Year 11 leavers’ day, and everywhere you look girls are writing on one another’s shirts in felt-tip pen, drinking from Coke cans I think they’ve filled with something else, throwing flour bombs out of top-floor windows. I sit on the bench below the library window and watch. They’re all going up to the rec later to get drunk—I’d heard them talking about it in the loos. They hadn’t asked me, but I don’t really mind because Mum always worries if I’m back late. I see Nicola Gates over by the water fountain, but she turns away when I wave.

And that’s when I first see Edie, walking across the forecourt in the direction of the main doors. As I watch, her face appearing, then disappearing behind others in the crowd, she stops, her eyes squinting up at the building before darting around herself again and then finally landing upon me. I hold my breath. I don’t think I’ve ever seen anyone so pretty before, not in real life.

Then there she is, standing right in front of me, and at first I’m too distracted by all the different parts of her to take in what she’s saying: the smell of the leather jacket she’s carrying over her arm, mixed with something else, something soft and appley, her eyes, big and golden brown with lots of black eyeliner, pale mauve varnish on her nails. In the hollow of her clavicle is a little gold locket with a tiny green stone in the middle. If you were to put your finger beneath it, you’d feel the jump-jump-jump of her pulse.

“Sorry,” I say. “What?”

She smiles. “The office. Where is it?” Her voice is clear and sure with a northern accent—Manchester maybe.

Of all the people she could have stopped to ask, she’d picked me. I get to my feet. “I’m going that way myself,” I tell her, though I wasn’t. “I’ll walk with you if you like.”

She nods, shrugs. “Yeah, okay. Ta.”

As we walk, I see Sheridan Alsop and Amy Carter standing by the water fountain. They stop talking and watch us as we pass. I have a mad impulse to link my arm through hers, this stranger who walks beside me, and I imagine us strolling along like that, arm in arm like best friends. How amazed Amy and Sheridan would be to see that! I don’t, though, of course. People don’t like it when you do that sort of thing, I’ve realized.

“My name’s Heather,” I tell her instead.

“I’m Edie. Well, Edith really. But how lame’s that?” She looks around herself and shakes her head. “Bloody hell, this place.”

“Yeah,” I say. “I know! Totally lame, isn’t it? Are you going to come to school here then?”

She nods. “Starting my A-levels in September.”

“I’m doing my A-levels here too! What’re you studying? I’m taking biology and maths and chemistry. I was going to do a language as well, but Mum and Dad said it was pointless because it’s not what I need to read medicine at uni. Best to concentrate on just the three. What with all my volunteering work and everything too. I’m going to be a doctor on...

“Gripping psychological suspense, Watching Edie is wonderfully claustrophobic, trapping us as observers of the complex and suffocating relationship between Edie and Heather, compelled to watch until their secret is finally revealed.”—Fiona Barton, New York Times bestselling author of The Widow

“[A] book that will garner comparisons to Gone Girl and The Girl on the Train, except this time, women are facing off against each other instead of an evil man...one thriller to keep you hooked.”—GoodHousekeeping.com
 
“Way expertly explores the dark side of friendship in her psychological suspense debut...The shocking revelation about what happened to change these two women’s lives casts a surprising light on each character’s motives.”—Publishers Weekly (starred review)

“Eerie and atmospheric, Watching Edie had me hypnotized from the outset. Camilla Way's authentic and original characters deftly drew me in and together yanked me through breathtaking twists and turns to a heart-stopping conclusion. Once you read the first page be prepared for an up all night, edge of your seat, read-a-thon.”—Heather Gudenkauf, New York Times bestselling author of The Weight of Silence and Missing Pieces 

“Camilla Way’s name is going to be on everyone’s lips. Watching Edie is creepy and intense. I couldn’t put it down.”—J.T. Ellison, New York Times bestselling author of No One Knows

“Watching Edie is the truly terrific exploration of female friendship and the choices we make as teenagers that roar back to haunt us as adults. As Camilla Way masterfully weaves past and present storylines, she builds to an astonishing and deeply satisfying conclusion that resonates long after the last page is turned.”—Carla Buckley, author of The Good Goodbye
 
“With a voice that is both accomplished and fresh, Camilla Way explores the most complicated spaces of teenage friendship between two troubled young women desperate for love. Watching Edie is a haunting tale of the worst kind of betrayal, skillfully brought to the perfect ending. A thrilling suspense of intense heartache.”—Diane Les Becquets, national bestselling author of Breaking Wild

“Exemplary writing and accomplished character development make this novel a standout. An intriguing setup is carried through a suspenseful buildup to an extraordinary ending.”—Sophie Littlefield, national bestselling author of Garden of Stones

“Sucks you in and doesn't let go for a moment. Way brings a powerful new voice to the psychological thriller genre.”—Alex Marwood, Edgar Award-winning author of The Wicked Girls
 
“Watching Edie has a clever plot, a fateful friendship, a callous betrayal, and an ending that is as twisty as it is inevitable—it’s all there!”—Alexandra Burt, international bestselling author of Remember Mia
 
“Watching Edie is beautifully written. Camilla Way dials the suspense up so masterfully you’ll race through the final chapters, heart thumping. This tale of a poisoned friendship, of old wounds unpicked and the worst of wrongs righted, will grab you by the throat.”—Holly Seddon, author of Try Not to Breathe
 
“Watching Edie is an excruciatingly suspenseful and intensely creepy novel about two women bound together by a horrific crime from their past. Camilla Way draws the tension out across the pages and the years, and the surprises come fast and furious as the novel reaches its stunning conclusion. Readers will devour this story with goose pimples on their arms and cold chills on their necks...and they may never look at their friends the same way again. Don't miss it.”—David Bell, bestselling author of Since She Went Away
 
“Who’s good? Who’s evil? Those questions are at the heart of Watching Edie, a taut, tricky suspense novel that drops secrets in all the right places. As she explores the heart of a dark female friendship, Camilla Way twists her way to an original ending that rings with truth.”—Julia Heaberlin, author of Black-Eyed Susans

“Watching Edie is terrific psychological suspense. A taut, compelling, thoroughly addictive read with a final twist that's a real stunner.”—Alison Gaylin, USA Today Bestselling author of What Remains of Me