The Rottweiler - Couverture rigide

The jaguar stood in a corner of the shop between a statue of some minor Greek deity and a jardinière. Inez thought it said a lot about the world we lived in that to most people when you said 'jaguar' they took it to mean a car and not an animal. This one, black and about the size of a very large dog, had once been a jungle creature someone's grandfather, a big game hunter, had shot and had stuffed. The someone had brought it into the shop the day before and offered it to Inez at first for ten pounds, then for nothing. It was an embarrassment having it in the house, he said, worse than being seen in a fur coat.

Inez only took it to get rid of him. The jaguar's yellow glass eyes had seemed to look reproachfully at her. Sentimental nonsense, she said to herself. Who would buy it? She had thought it might seem more attractive at eight forty-five in the morning but it was just the same, its fur harsh to the touch, its limbs stiff and its expression baleful. She turned her back on it and in the little kitchen behind the shop put the kettle on for the tea she always made herself and always shared these days with Jeremy Quick from the top floor.

Punctual as ever, he tapped on the inside door, and came in as she carried the tray back into the shop. 'How are you today, Inez?'

He, and he alone, pronounced her name in the Spanish way, Eeneth, and he had told her the Spanish in Spain, but not in South America, pronounced it like that because one of their kings had had a lisp and they copied him out of deference. That sounded like an apocryphal story to her but she was too polite to say so. She handed him his teacup with a sweetener tablet in the spoon. He always walked about, carrying it.

'What on earth is that?'

She had known he would ask. 'A jaguar.'

'Will anyone buy it?'

'I expect it will join the ranks of the grey armchair and the Chelsea china clock that I'll be left with until I die.'

He patted the animal's head. 'Zeinab not in yet?'

'Please. She says she has no concept of time. In that case, I said, if you've no concept of time, why aren't you ever early?'

He laughed. Inez thought, and not for the first time, that he was rather attractive. Too young for her, of course, or was he? Not perhaps in these days when opinions about that sort of thing were changing. He seemed no more than seven or eight years her junior. 'I'd better be off. Sometimes I think I'm too aware of time.' Carefully, he replaced his cup and saucer on the tray. 'Apparently, there's been another murder.'

'Oh, no.'

'It was on the news at eight. And not far from here. I must go.'

Instead of expecting her to unlock the shop door and let him out, he went back the way he had come and out into Star Street by way of the tenants' entrance. Inez didn't know where he worked, somewhere on the northern outskirts of London, she thought, and what he did had something to do with computers. So many people did these days. He had a mother of whom he was fond and a girlfriend, his feelings for whom he never mentioned. Just once Inez had been invited up to his top-floor flat and admired the minimalist decor and his roof garden.

At nine she opened the shop door and carried the bookstand out on to the pavement. The books that went in it were ancient paperbacks by forgotten authors but occasionally one would sell for 50p. Someone had parked a very dirty white van at the kerb. Inez read a notice stuck in the van's window: Do not wash. Vehicle undergoing scientific dirt analysis. That made her laugh.

It was going to be a fine day. The sky was a soft pale blue and the sun coming up behind the terraces of little houses and the tall corner shops with three floors above. It would have been nicer if the air had been fresh instead of reeking of diesel and emissions and green curry and the consequences of men relieving themselves against the hoardings in the small hours, but that was modern life. She said good morning to Mr Khoury who was (rather optimistically) lowering the canopy at the front of the jeweller's next door.

'Good morning, madam.' His tone was gloomy and dour as ever.

'I've got an earring that's lost its what-d'you-call-it, its post,' she said. 'Can you get it repaired if I bring it in later?'

'I shall see.' He always said that, as if he was doing you a favour. On the other hand, he always did repair things.

Zeinab, breathless, came running down Star Street. 'Hi, Mr Khoury. Hi, Inez. Sorry I'm late. You know I've no concept of time.'

Inez sighed. 'So you always tell me.'

Zeinab kept her job because, if Inez were honest with herself and she nearly always was, her assistant was a better saleswoman than she was. She could have sold an elephant gun to a conservationist, as Jeremy once said. Some of it was due to her looks, of course. Zeinab's beauty was the reason so many men came in. Inez didn't flatter herself, she'd plenty of confidence but she knew she'd seen better days, and though she'd been as good-looking as Zeinab once upon a time, it was inevitable that at fifty-five she couldn't compete. She was far from the woman she had been when Martin first saw her twenty years before. No chap was going to cross the street to buy a ceramic egg or a Victorian candlestick from her.

Zeinab looked like the female lead in one of those Bollywood movies. Her black hair came not just to her waist but to the tops of her slender thighs. In nothing but her hair to cover 3 her she could have ridden a horse down Star Street with perfect propriety. Her face was as if someone had taken the best feature from the faces of half a dozen currently famous film stars and put them all together. When she smiled, if you were a man, your heart melted and your legs threatened to buckle. Her hands were like pale flowers on some tropical tree and her skin the texture of a lily petal touched by the setting sun. She always wore very short skirts and very high-heeled shoes, pure white T-shirts in summer and pure white fluffy sweaters in winter and a single diamond (or sparkling stone) in one perfect nostril.

Her voice was less attractive, her accent not the endearing musical tones of upper-class Karachi but nearer Eliza Doolittle's Lisson Grove cockney, which was odd considering her parents lived in Hampstead and, according to her, she was practically a princess. Today she was wearing a black leather skirt, opaque black tights and a sweater that looked like the pelt of an angora rabbit, white as snow and downy as a swan's breast. She walked daintily about the shop, carrying her teacup in one hand and in the other a rainbow-coloured feather duster, flicking dust off silver cruets, ancient musical instruments, cigarette cases, thirties fruit brooches, Clarice Cliffe plates and the four-masted schooner in a bottle. Customers didn't realise what a task it was keeping a place like this clean. Dust soon gave it a shabby look as if the shop was seldom patronised. She paused in front of the jaguar. 'Where did that come from?'

'A customer gave it to me. After you'd gone yesterday.'

'Gave it to you?'

'I imagine he knew the poor thing wasn't worth anything.'

'There's been another girl murdered,' said Zeinab. 'Down Boston.' Anyone not in the know might have thought she was talking about Boston, Massachusetts, or even Boston, Lincs, but what she meant was Boston Street, NW1, which ran alongside Marylebone Station.

'How many does that make?'

'Three. I'll get us an evening paper the minute they come in.'

Ruth Rendell was an exceptional crime writer, and will be remembered as a legend in her own lifetime. Her groundbreaking debut novel, From Doon With Death, was first published in 1964 and introduced the reader to her enduring and popular detective, Inspector Reginald Wexford, who went on to feature in twenty-four of her subsequent novels.

With worldwide sales of approximately 20 million copies, Rendell was a regular Sunday Times bestseller. Her sixty bestselling novels include police procedurals, some of which have been successfully adapted for TV, stand-alone psychological mysteries, and a third strand of crime novels under the pseudonym Barbara Vine. Very much abreast of her times, the Wexford books in particular often engaged with social or political issues close to her heart.

Rendell won numerous awards, including the Crime Writers’ Association Gold Dagger for 1976’s best crime novel with A Demon in My View, a Gold Dagger award for Live Flesh in 1986, and the Sunday Times Literary Award in 1990. In 2013 she was awarded the Crime Writers’ Association Cartier Diamond Dagger for sustained excellence in crime writing. In 1996 she was awarded the CBE and in 1997 became a Life Peer.

Ruth Rendell died in May 2015. Her final novel, Dark Corners, is scheduled for publication in October 2015