Digging to America - Couverture rigide

At eight o'clock in the evening, the Baltimore airport was nearly deserted. The wide gray corridors were empty, and the newsstands were dark, and the coffee shops were closed. Most of the gates had admitted their last flights. Their signboards were blank and their rows of vinyl chairs unoccupied and ghostly.

But you could hear a distant hum, a murmur of anticipation, at the far end of Pier D. You could see an overexcited child spinning herself into dizziness in the center of the corridor, and then a grownup popping forth to scoop her up and carry her, giggling and squirming, back into the waiting area. And a latecomer, a woman in a yellow dress, was rushing toward the gate with an armful of long-stemmed roses.

Step around the bend, then, and you'd come upon what looked like a gigantic baby shower. The entire waiting area for the flight from San Francisco was packed with people bearing pink- and blue-wrapped gifts, or hanging on to flotillas of silvery balloons printed with IT'S A GIRL! and trailing spirals of pink ribbon. A man gripped the wicker handle of a wheeled and skirted bassinet as if he planned to roll it onto the plane, and a woman stood ready with a stroller so chrome-trimmed and bristling with levers that it seemed capable of entering the Indy 500. At least half a dozen people held video cameras, and many more had regular cameras slung around their necks. A woman spoke into a tape recorder in an urgent, secretive way. The man next to her clasped an infant's velour-upholstered car seat close to his chest.

MOM, the button on the woman's shoulder read--one of those man's read DAD. A nice-looking couple, not as young as you might expect--the woman in wide black pants and an arty black-and-white top of a geometric design, her short hair streaked with gray; the man a big, beaming, jovial type with a stubbly blond buzz cut, his bald knees poking bashfully from voluminous khaki Bermudas.

And not only were there MOM and DAD; there were GRANDMA and GRANDPA, twice over--two complete sets. One grandma was a rumpled, comfortable woman in a denim sundress and bandanna-print baseball cap; the other was thin and gilded and expertly made up, wearing an ecru linen pantsuit and dyed-to-match pumps. The grandpas were dyed to match as well--the rumpled woman's husband equally rumpled, his iron-gray curls overdue for a cutting, while the gilded woman's husband wore linen trousers and some sort of gauzy tropical shirt, and part of his bright yellow hair was possibly not his own.

It's true there were other people waiting, people clearly not included in the celebration. A weary-eyed woman in curlers; an older woman with a younger one who might have been her daughter; a father with two small children already dressed in pajamas. These outsiders stood around the edges, quiet and somehow dimmed, from time to time sneaking glances in the direction of MOM and DAD.

The plane was late. People grew restless. A child pointed out accusingly that the arrivals board still read ON TIME--a plain old lie. Several teenagers wandered off to the unlit waiting area just across the corridor. A little girl in pigtails fell asleep on a vinyl chair, the button on her green plaid blouse proclaiming COUSIN.

Then something changed. There wasn't any announcement--the PA system had been silent for some time--but people gradually stopped talking and pressed toward the jetway, craning their necks, standing on tiptoe. A woman in a uniform punched in a code and swung open the jetway door. A skycap arrived with a wheelchair. The teenagers reappeared. MOM and DAD, till now in the very center of the crowd, were nudged forward with encouraging pats, a path magically widening to let them approach the door.

First off was a very tall young man in jeans, wearing the confused look of someone who'd been flying too long. He spotted the mother and daughter and went over to them and bent to kiss the daughter, but only on the cheek because she was too busy peering past him, just briefly returning his hug while she kept her eyes on the new arrivals.

Two businessmen with briefcases, striding purposefully toward the terminal. A teenage boy with a backpack so huge that he resembled an ant with an oversized breadcrumb. Another businessman. Another teenage boy, this one claimed by the woman in curlers. A smiling, rosy-cheeked redhead instantly engulfed by the two children in pajamas.

Now a pause. A sort of gathering of focus.

A crisply dressed Asian woman stepped through the door with a baby. This baby was perhaps five or six months old--able to hold herself confidently upright. She had a cushiony face and a head of amazingly thick black hair, cut straight across her forehead and straight across the tops of her ears, and she wore a footed pink sleeper. "Ah!" everyone breathed--even the outsiders, even the mother and the grown daughter. (Although the daughter's young man still appeared confused.) The mother-to-be stretched out both arms, letting her tape recorder bounce at the end of its strap. But the Asian woman stopped short in an authoritative manner that warded off any approach. She drew herself up and said, "Donaldson?"

"Donaldson. That's us," the father-to-be said. His voice was shaking. He had somehow got rid of the car seat, passed it blindly to someone or other, but he stayed slightly to the rear of his wife and kept one hand on her back as if in need of support.

"Congratulations," the Asian woman said. "This is Jin-Ho." She transferred the baby to the mother's waiting arms, and then she unhitched a pink diaper bag from her shoulder and handed it to the father. The mother buried her face in the crook of the baby's neck. The baby stayed upright, gazing calmly out at the crowd. "Ah," people kept saying, and "Isn't she a cutie!" and "Did you ever see such a doll?"

Flashbulbs, insistent video cameras, everyone pressing too close. The father's eyes were wet. Lots of people's were; there were sniffing sounds all through the waiting area and noses being blown. And when the mother raised her face, finally, her cheeks were sheeted with tears. "Here," she told the father. "You hold her."

"Aw, no, I'm scared I might . . . You do it, honey. I'll watch."

The Asian woman started riffling through a sheaf of papers. People still disembarking had to step around her, step around the little family and the well-wishers and the tangle of baby equipment. Luckily, the flight hadn't been a full one. The passengers arrived in spurts: man with a cane, pause; retired couple, pause . . .

And then another Asian woman, younger than the first and plainer, with a tucked, apologetic way of looking about. She was lugging a bucket-shaped infant carrier by the handle, and you could tell that the baby inside must not weigh all that much. This baby, too, was a girl, if you could judge by the pink T-shirt, but she was smaller than the first one, sallow and pinched, with fragile wisps of black hair trailing down her forehead. Like the young woman transporting her, she showed a sort of anxious interest in the crowd. Her watchful black eyes moved too quickly from face to face.

The young woman said something that sounded like "Yaz-dun?"

"Yaz-dan," a woman called from the rear. It sounded like a correction. The crowd parted again, not certain which way to move but eager to be of help, and three people no one had noticed before approached in single file: a youngish couple, foreign-looking, olive-skinned and attractive, followed by a slim older woman with a chignon of sleek black hair knotted low on the nape of her neck. It must have been she who had called out their name, because now she called it again in the same clear, carrying voice. "Here we are. Yazdan." There was just the trace of an accent evident in the ruffled r's.

The young woman turned to face them, holding the carrier awkwardly in front of her. "Congratulations, this is Sooki," she said, but so softly and so breathlessly that people had to ask each other, "What?" "Who did she say?" "Sooki, I believe it was." "Sooki! Isn't that sweet!"

There was a problem unfastening the straps that held the baby in her carrier. The new parents had to do it because the Asian woman's hands were full, and the parents were flustered and unskilled--the mother laughing slightly and tossing back her explosive waterfall of hennaed curls, the father biting his lip and looking vexed with himself. He wore tiny, very clean rimless glasses that glittered as he angled first this way and then that, struggling with a plastic clasp. The grandmother, if that was who she was, made sympathetic tsk-tsking sounds.

But at last the baby was free. Such a little bit of a thing! The father plucked her out in a gingerly, arm's-length manner and handed her to the mother, who gathered her in and rocked her and pressed her cheek against the top of the baby's feathery black head. The baby quirked her eyebrows but offered no resistance. Onlookers were blowing their noses again, and the father had to take off his glasses and wipe the lenses, but the mother and the grandmother stayed dry-eyed, smiling and softly murmuring. They paid no attention to the crowd. When someone asked, "Is yours from Korea too?" neither woman answered, and it was the father, finally, who said, "Hmm? Oh. Yes, she is."

"Hear that, Bitsy and Brad? Here's another Korean baby!"

The first mother glanced around--she was allowing the two grandmas a closer inspection--and said, "Really?" Her husband echoed her: "Really!&quo...

A NEW YORK TIMES BESTSE
NATIONAL BESTSELLER
A NEW YORK TIMES BESTSELLER
A NEW YORK TIMES NOTABLE BOOK OF 2006

“Tyler shapes her stories with a reassuring and uplifting clarity.” —The Gazette (Montreal)

“As in her previous books, the writing here makes for wholesome, comforting fare, spiced as always with urbane wit and a knack for nailing the small truths behind fine details.” —The Globe and Mail

“In Digging to America, Tyler also holds up a mirror to the wider North American culture, especially the contemporary obsession with child-rearing that makes young children kings and queens in their households. . . . You’ll find yourself laughing at all the apt and telling details Tyler summons up to capture how these two families interact — and often fail to understand each other.” —Vancouver Sun

“Tyler is an adept cultural chronicler. . . . She zeroes in on the minutiae of social encounters. . . . Hers is a portrait of small segment of society painted in elaborate detail.” —National Post

“A subtle lesson in how to embrace other cultures — how to go beyond tolerance to love.” —Winnipeg Free Press

“In Digging to America, Tyler exhibits her knack for softening the sharp edges of human contact, showing people with smudges of vulnerability on their faces as they dig toward each other.” —Toronto Star

“Her prose is at once unpretentious and elegiac, like a photograph by Dorothea Lange, and her imagery has staying power. Taken together, the distinct but overlapping worlds of her novels have formed a Sensurround literary record of the 20th-century American family.” —The New York Times

“Warm and optimistic, this story about adoption raises issues of belonging and identity” The Times (UK)

“Anne Tyler returns to her subtle best with a novel about families involved in international adoptions” —Observer (UK)

“In Digging to America, Tyler also holds up a mirror to the wider North American culture, especially the contemporary obsession with child-rearing that makes young children kings and queens in their households.... You’ll find yourself laughing at all the apt and telling details Tyler summons up to capture how these two families interact — and often fail to understand each other.” — The Vancouver Sun

“Anne Tyler’s richest, most deeply searching novel.” — The Daily News (Halifax)

“Tyler is an adept cultural chronicler. . . . She zeroes in on the minutiae of social encounters. . . . Hers is a portrait of small segment of society painted in elaborate detail.” — National Post
“The appearance of a new novel by Anne Tyler is like the arrival of an old friend . . . With her 17th novel, Tyler has delivered something startlingly fresh while retaining everything we love about her work . . . Her success at portraying culture clash and the complex longings and resentments of those new to America confirms what we knew, or should have known, all along: There’s nothing small about Tyler’s world, nothing precious about her attention to the hopes and fears of ordinary people.”
–Ron Charles, Washington Post Book World
“Ms. Tyler deserves her reputation as a master of the fine threads of human relationships. The barely registered slights, fleeting intuitions and shivers of pity that pass between these characters are a pleasure to behold.”
–Tara Gallagher, The Wall Street Journal
“Anne Tyler has written 17 novels and you only wish for more. Her newest, Digging to America, is wonderfully wry, yet intimately involving. There’s a definite sense of loss when it’s over and done.”
–Sheryl Connelly, New York Daily News
“Tyler encompasses the collision of cultures without losing her sharp focus on the daily dramas of modern family life in her 17th novel . . . [A] touching, humorous story.”
–Publishers Weekly
“Tyler creates many blissful moments of high emotion and keen humor while broaching hard truths about cultural differences, communication breakdowns, and family configurations. This deeply human tale of valiantly improvised lives is one of Tyler’s best.”
–Donna Seaman, Booklist (starred review)
“The veteran novelist extends her range without losing her essence in this tale of two families drawn together by their adopted daughters despite the friction created by their very different personalities and ethnicities . . . The ensuing culture clash enriches Tyler’s narrative without diminishing her skills as an engaging storyteller and delicate analyst of personality . . . Readers will hope that these flawed, lovable people will find happiness, but they won’t be sure until the final page, so deftly has the author balanced the forces that keep us apart against those that bring us together. Vintage Tyler, with enough fresh, new touches to earn her the next generation of fans.”
–Kirkus Reviews
“The author’s 17th novel exemplifies her skill at depicting seemingly quiet and unremarkable lives with sympathy and humor . . . A touching, well-crafted tale of friendship, families, and what it means to be an American.”
–Library Journal (starred review)
From the Hardcover edition.