A New England Nun And Other Stories - Couverture souple

It was late in the afternoon, and the light was waning. There was a difference in the look of the tree shadows out in the yard. Somewhere in the distance cows were lowing and a little bell was tinkling; now and then a farm-wagon tilted by, and the dust flew; some blue-shirted laborers with shovels over their shoulders plodded past; little swarms of flies were dancing up and down before the peoples faces in the soft air. There seemed to be a gentle stir arising over everything for the mere sake of subsidence a ver) premonition of rest and hush and night. This soft diurnal commotion was over Louisa Ellis also. She had been peacefully sewing at her sitting-room window all the afternoon. Now she quilted her needle carefully into her work, which she folded precisely, and laid in a basket with her thimble and thread and scissors. Louisa Ellis could not remember that ever in her life she had mislaid one of these little feminine appurtenances, which had become, from long use and constant association, a very part of her personality. Louisa tied a green apron round her waist, and got out a flat straw hat with a green ribbon. Then she went into the garden with a little blue crockery bowl, to pick some currants for her tea.
(Typographical errors above are due to OCR software and don't occur in the book.)

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A collection of short stories by an influential 19th century author. They primarily deal with New England life. A collection that shows Freeman's many modes - romantic, gothic, and psychologically symbolic - as well as her use of pathos and sentimentality, humour, satire and irony. These stories centre on questions of women's integrity, courage and privation; explore the idea of masculinity; and dramatise the relationship between rural New England and modern culture and commerce.