The Three Evangelists - Couverture souple

I

‘Pierre, something’s wrong with the garden,’ said sophia.

She opened the window and examined the patch of ground. She knew it by heart, every blade of grass. What she saw sent a shiver down her spine.

Pierre was reading the newspaper over his breakfast. Maybe that was why Sophia looked out of the window so often. To see what the weather was like. That’s something you do quite often when you get up in the morning. And whenever the weather was dull, she would think of Greece, of course. These sessions standing at the window had, over time, become full of nostalgia, which swelled inside her some mornings to the point of resentment. Then it would pass. But this particular morning, something was wrong.

‘Pierre, there’s a tree in the garden.’

She sat down beside him.

‘Pierre, look at me.’

Wearily, Pierre raised his face towards his wife. Sophia adjusted the scarf around her throat, a habit she had kept since her days as an opera singer. Protect your voice. Twenty years earlier, on one of the stone terraces of the open-air amphitheatre in Orange, Pierre had proposed to her with a cascade of protestations of love and undying certainties. Just before a performance.

Sophia cupped in her hand the gloomy face of the newspaper reader.

‘What’s eating you, Sophia?’

‘I just told you something.’

‘You did?’

‘I said: “There’s a tree in the garden”.’

‘I heard you. That’s pretty normal, isn’t it?’

‘There’s a tree in the garden that wasn’t there yesterday.’

‘Well, what about it? Am I supposed to react or something?’

Sophia was not feeling calm. She didn’t know whether it was because of the newspaper, or the weary look, or the business about the tree, but it was clear that something was not right.

‘Pierre, explain to me how a tree can turn up in a garden all by itself.’

Pierre shrugged. He really could not care less.

‘What’s the problem? Trees reproduce themselves. A seed, a cutting, a graft: that’s all it takes. They grow into mighty forests in this climate. I imagine you know that.’

‘It isn’t a cutting. It’s a tree! A young tree, standing up straight, with branches and everything, planted all by itself a metre or so from the end wall. How did it get there?’

‘It got there because the gardener planted it.’

‘The gardener’s been gone two months and I haven’t found a replacement. So, no, it wasn’t the gardener.’

‘Well, it doesn’t bother me. Don’t expect me to get worked up about a little tree standing by the end wall.’

‘Don’t you even want to get up and have a look? Can’t you just do that?’

Pierre heaved himself to his feet. His reading had been interrupted.

‘See?’

‘Yes, of course I can see. It’s a tree.’

‘It wasn’t there yesterday.’

‘Maybe.’

‘Not maybe. It wasn’t there. So what are we going to do about it? Any ideas?’

‘Why should I have?’

‘That tree frightens me.’

Pierre laughed. He even put an affectionate arm round her. Briefly.

‘I’m not joking, Pierre. It frightens me.’

‘Well, it doesn’t frighten me,’ he said, sitting down again. ‘In fact, having a tree turn up is quite nice. You just leave it in peace and that’s that. And you might perhaps give me a bit of peace about it. Someone got the wrong garden, I dare say. Their problem, not ours.’

‘But it was planted during the night, Pierre!’

‘All the more likely someone got the wrong garden. Or perhaps it’s a present. Have you thought of that? One of your fans wanted to honour you discreetly on your fiftieth birthday. Fans get up to all kind of tricks, especially those mouse-type fans, the obsessive ones, who won’t give their names. Go and see, there might be a message.’

Sophia thought for a bit. The idea wasn’t entirely ridiculous. Pierre had decreed that her fans fell into two camps. There were the mouse-type fans, who were timid, agitated, silent, but unshakeable. Pierre had once known a mouse transport a whole bag of rice into a rubber boot over the course of a winter, grain by grain. That’s the way they are, mouse-fans. Then there are the rhino-type fans, equally to be dreaded in their way: noisy, loud-mouthed, very sure of themselves. Inside these two categories, Pierre had developed masses of sub-groups. Sophia couldn’t remember them all. Pierre despised the fans who had come before him and the ones who came after him, in other words, all of them. But maybe he was right about the tree. Possibly; not certainly. She heard Pierre go into his ‘Bye-see-you-tonight-don’t-worry-yourself-about-it’ routine, and then she was alone.

With the tree.

She went to take a look. Gingerly, as if it might explode in her face.

No, of course there wasn’t a message. At the foot of the young tree was a circle of freshly dug earth. What sort of tree was it? Sophia walked round it a few times, grudgingly, feeling hostile. She was inclined to think it was a beech. She was also inclined to uproot it now, to tear it out, but being slightly superstitious, she dared not attack a living thing, even a plant. The truth is that few people would tear up a tree that had done them no harm.

It took a long time to find a book that would help. Apart from opera, the life of the donkey and Greek myths, Sophia had not had time to become expert on anything. A beech tree, perhaps? Hard to say without seeing its leaves. She went through the index of the book, to see if there were any trees called sophia-something in Latin. It could be some sort of disguised homage, the kind of convoluted thing a mouse-type fan might think up. That would be quite reassuring. But no, no sophias. Well, perhaps a species by the name of stelios something. That would not be nice at all. Stelios was nothing like a mouse, or a rhino. And he did worship trees. After the cascade of declarations by Pierre on the terraces in Orange, Sophia had wondered how she was going to leave Stelios, and had sung less well than usual. And the immediate reaction of her mad Greek had been to try and drown himself. They had fished him out of the Mediterranean, gasping for breath and floating like an idiot. When they were teenagers, Sophia and Stelios used to love to go out of Delphi along mountain paths with donkeys and goats, playing at being ‘Ancient Greeks’, as they called it. And then the imbecile had tried to drown himself. Luckily there was the cascade of declarations by Pierre. Nowadays, Sophia was still trying to locate a few trickles of it. Stelios? Was he a threat? Would he do something like this? Yes, he might. When he had been pulled out of the Mediterranean, he had been suddenly galvanised, and started screaming like a madman. Her heart beating too fast, Sophia made an effort to get to her feet, drink a glass of water and look out of the window.

Praise for the works of Fred Vargas:

“A Vargas novel is as good as a trip to Paris. The style has the same hyper-real quality as all her writing — the real world, but filtered through a strange prism — but it’s the plotting that really hits the spot: ingenious and ecccentric.There’s been much brouhaha recently about the Crime Writers Association’s decision to exclude novels not written in English from its prestigious Dagger award; there may be the consolation of a separate prize for foreign writers. But after reading Fred Vargas, you may feel that she deserves the main trophy.”
–Daily Express

“Fred Vargas is a wonderful writer. Much of the joy of reading this book lies in Vargas’s wonderful use of language, her subtle characterizations and her superb sense of place.”
–Margaret Cannon, The Globe and Mail

“Joyous, enchanting, amazing, fantastic, unclassifiable, beyond-brilliant. Readers will not hold back praise for Fred Vargas. With Have Mercy on Us All, the novelist spares no trick in keeping us glued to our seats.”
–Elle (France)

“On the basis of this elegantly twisted crime novel, Vargas is clearly an author who will rank alongside Henning Mankell. The plot kinks and switches in an utterly compelling manner. Creepy, sophisticated and wonderfully off-beat.”
–Scotland on Sunday

“The hero of this Parisian crime novel is one of the most fetchingly weird detectives I’ve come across in a while. Jean-Baptiste Adamsberg is a bit like Morse, but much more French.”
–Daily Telegraph (UK)

“Slick, creepy and full of engagingly odd characters, this thriller is a class act.”
–The Independent (UK)