Ascension - Couverture souple

One

There is a steady wind, and it blows cold on Salvo Ursari’s face and hands but does not deter him. He dips a hand in the pouch he wears at his waist, pinching out a clump of baby powder that he rubs onto both of his hands. Beyond the practical purpose of preventing the slippage of the seventy-pound pole he carries for balance, the powder has a distinctive odour that reminds Salvo of the past, of walks done half a lifetime ago, of his twin daughters when they had been tiny, shrieking infants, of his wife after bathing.

Salvo smiles as one such moment floods into his consciousness. It is nearly forty years earlier, his daughters barely two years old, and his wife has just put them down for the night. Salvo is lying on his back, trying to stretch out a hamstring he has needlessly overexerted. Through a wince of pain he sees his wife’s legs as she glides by him, pale, ghostly apparitions, and his eyes follow her as she moves across the room and sits on the ledge of the window. The streetlight outside illuminates her from behind, makes her glow, and Salvo is reminded how breathtakingly beautiful his wife can be.

A gust of wind brings him back to reality. Now is not the time, he tells himself. You are not a young man and you had better keep your mind on the task at hand.

At sixty-six, Salvo has been told he’s out of his mind to attempt a skywalk between the twin towers of Manhattan’s World Trade Center. Salvo partly agrees with this assessment, but it makes no difference. Of course he’s afraid, of course he knows the danger -- few have suffered more than he as a result of walks gone bad -- but that is of no consequence. It is his fear that lets him know he’s sane; the day he’s not afraid is the day he won’t go out on the wire. He knows he can do this walk.

Salvo is standing nearly fourteen hundred feet above solid ground. It is the highest walk Salvo has ever done, but height is unimportant; you’re just as dead if you fall from forty feet as you are from fourteen hundred. Distance-wise, Salvo has walked two and even three times as far, which is tricky because the longer the wire, the greater the danger that it will snap. A very long wire will sag in the middle, and there are few things more difficult than walking the downhill slope of a wire. At least Salvo has the comfort of this being a solo walk. He alone is responsible for the outcome of today’s endeavour.

For his efforts Salvo will receive a sum of twenty thousand dollars, but the promoter’s insurance company has steadfastly refused to extend coverage to Salvo himself; the policy only covers damage caused should Salvo fall onto someone or something below.

The area beneath the wire has been cleared. From where Salvo stands with his toes curled over the edge of the building, the mounted crowd-control policemen are barely visible, the crowd itself nothing more than a dusty smear. He dislikes that the audience is such a distant entity. Without the immediacy of the audience, without their energy to feed on, the wire can be a lonely place. The only consolation Salvo has is that he has performed so many times he instinctively knows how the crowd will react, can picture the people far below as clearly as if they were fifty feet away.

Salvo receives the signal to begin. He takes a deep breath, collecting himself, and offers up a silent prayer. He’s seen enough on the wire over the years to know that skill and luck are not enough to get across. To survive he needs God on his side. At the very least he requires Him to be a benign presence; the last thing he wants is to have God against him.

Hoping that he’ll have only earthly challenges to deal with, Salvo picks up his balancing pole. The wind moving across the wire creates a sound not unlike that of the highest string on a violin. As he steps onto the wire, the weight of his body momentarily silences it, before it resumes its singing. Each step Salvo takes interrupts this one-note song, but between steps it always begins again. It is as if this wire is trying to play me a death march, he thinks, and each step I take forces it to start over. As long as I keep taking steps, it can’t complete its song, and everything will be okay.

The wire digs into his feet through the ballet-style slippers he wears, and he can feel the wind go right through the cotton of his jumpsuit. Salvo doesn’t wear conventional, tight-fitting costumes. He doesn’t mind them when performing under a roof, but on a walk like this one he prefers slightly looser clothing, the folds of his snow-white jumpsuit acting like antennae, a way to feel the wind’s strength and direction.

For a man his age, indeed even for a man half his age, Salvo is in exceptional shape. He is thin and lithe and undeniably strong, his slight form belying a muscularity that is rare for his body type. His hair has turned from the darkest brown to a peppery silver with the utmost dignity, even if his hairline has slipped back a little. Thick, leathery lips lie on top of a set of teeth that, despite a minimal regimen of oral hygiene, are almost unnaturally bright. His face, still handsome after being weathered and beaten by sixty-six years of hard living, is quietly inviting, trustworthy. A person would, if they were to meet him on the street, be inclined to like him. But the most striking thing about Salvo is his eyes. Set deep in their sockets and veiled behind thick, dark eyebrows, they are the colour of an emerald forest, capable of being cold and piercing one moment, calm and soothing the next. They can speak kindness or anger more loudly than words. Whenever people think about Salvo, they think first of his eyes.

The sky is grey, gloomy, not at all the sort of weather that is good for a Fourth of July, let alone a wire walk, but Salvo would rather have this kind of weather than the bright sun and sweltering heat the forecasters had predicted. Hot air rising off the streets can create nasty updrafts, which are considerably more dangerous than a slight breeze. Still, he would not want to be up here in a thunderstorm.
From the Hardcover edition.

“One of the most suspenseful introductory chapters in Canadian literature. ... Once you’re a handful of paragraphs into Ascension you’re rapt; this is a book that comples attention, then holds it throughout.... His knack for a gripping story never falters.” -- The Georgia Straight

“Galloway shows a rare flair for inhabiting minds at moments of exhilaration and peril.... His attention to detail lends an uncanny veracity to the skywalk passages and the book has loads of neat lore..... Ascension is a novel that has stuck in my mind, and I don’t expect it to leave any time soon.” -- The Gazette (Montreal)

“Steven Galloway negotiates a mesmerizing line.... Rising above all else soars the elegance of the storytelling. Galloway’s balance on the narrative line is a pleasure to experience.” -- Vancouver Sun

“This is an rengaging read. Each episode, like the high wire, is tautly strung between two places of refuge.” -- Denise de Montreuil, Times-Colonist (Victoria)

“Galloway is a master of suspense, dangling his readers by an elbow or foot from a sagging wire. Throughout his tale, his storytelling left me on the edge. His narrative is so gripping that I often had to pause and take a breath before carrying on. ... You simply will not put this book down until the final sentence.” -- Andrew Armitage, The Sun Times (Owen Sound)

“Galloway is a born story teller. In Ascension, he takes us up to the high wire. The tale we find there -- through its setting and complicated characters -- is taut and compelling. Once you start, there is no safe turning back. You really must finish.” -- Timothy Taylor, author of Stanley Park

“What a gorgeous novel. Salvo Ursari is a great hero, a man who lives and perhaps survives our deepest fears. Steven Galloway has imagined a story that is as alluring and spellbinding as the wire itself.” -- Madeleine Thien, author of Simple Recipes

“Steven Galloway weaves his tale with the sure hand of a born storyteller.” -- Thomas Wharton, author of Salamander

“Will be remembered as one of the year’s best books.” -- Noah Richler, National Post

“What makes Ascension worth the read is Galloway’s storytelling powers; his is a self-possessed voice that seamlessly weds narrative and tone. . . . Galloway has the power to move and astonish, seemingly without sweat or effort.” -- Quill & Quire

Praise for Finnie Walsh:

“Finnie Walsh is a terrific first novel, brilliantly conceived and inventively executed, with a power house of an ending that resonates long after the book is finished -- a stunning accomplishment from a young writer who deserves a close look.” -- Quill & Quire

“An eminently readable and warmly witty debut with a seamless narrative and a sucker-punch ending.” -- The Georgia Straight
From the Hardcover edition.