Revue de presse :
Hilda is coming to Netflix in 2018!
Hilda and the Bird Parade is a The New York Times' Notable Book for 2013
One of School Library Journal's Top 10 Graphic Novels of 2013
Nominated for the 2014 Eisner for Best Publication for Kids!
Plain smart and moving. John Stanley's Little Lulu meets Miyazaki.
—Guillermo Del Toro
Pearson’s utter lack of pretension keeps Hilda feeling fresh, while his reading of folktales and Tove Jansson’s Moomin series embeds Hilda in the long history of children’s stories. [...] Hilda’s dilemmas, while fantastic, also feel real [...] Pearson has found a lovely new way to dramatize childhood demons, while also making you long for your own cruise down the fjords.
—The New Yorker
A perfect pitch between childlike adventure, subtle mystery, and gentle lyricism.
—Booklist, STARRED REVIEW
"[Hilda’s world] is... a glorious, exciting if also rather menacing place — one children will be eager to enter. It’s also visually arresting: exuberant and lively and faintly Miyazakian"
—The New York Times Book Review
For adults ... Pearson’s measured storytelling ... and detailed, imaginative artwork make Hilda and the Bird Parade an absolute treat to dive into. It’s hard to imagine a better all-ages comic will be published this year.
—Slate
Although Trolberg initially seems grim (down by the docks, the bird scares Hilda with a story about a rat king, to which she responds, "You can’t remember who you are but you can remember that?"), Pearson shows how Hilda’s optimism, curiosity, and self-assuredness help her make the most of this unfamiliar new setting. The reds, golds, and blues in the palette (Hilda’s signature colors) hint at the way her outlook transforms the town from intimidating and rundown to a place where magical, wonderful things can happen.
—Publisher’s Weekly, STARRED REVIEW
If you know a young comics reader, or a a child that you’d like to turn into a comics reader – especially if they love fairy-tale-like stories – this would be a great place to start them. Hilda isn’t a superhero, but she sure saves the day.
-Okazu
A joyous riot of animist magic.
—The Times
A beautifully drawn (literally and figuratively) comic.
—The Observer
The attractions of the Hilda series are quite easily surmised. There is the clever knitting together of various northern European traditions, the artist’s increasing competency with page composition, his good ear for simple but humorous dialogue, his pleasing character designs, and his consistent and attractive line which has achieved a fine flowering in The Bird Parade and The Black Hound."
—The Hooded Utilitarian
Pearson has hit his stride with this world. The book has the same wonderful color scheme as the previous and maintains similar tonal shifts as well, with warm colors for cozy home scenes and cool colors for outdoor night scenes. The lettering is crisp and strong.
—Comics Alliance
My admiration for Luke Pearson just grows. Hilda's new urban world is wonderfully drawn for his enchanting female character and is sure to rouse admiration for her independent, sympathetic spirit. [...] The panels are engaging, often humorous and full of adventure. Perfect graphic storytelling!
—Sal's Fiction Addiction
Présentation de l'éditeur :
In the latest installment of the Hildafolk series, Hilda is thrust into a new life in the bustling city of Trolberg, far from the magic and wonder of her birthplace in the Fjords. Lamenting the loss of her enchanting, wooded surroundings, Hilda wonders if she'll ever recapture the same excitement in this strange new concrete forest... Hilda is set for a thunderboit of surprise as she discovers that her new city is not quite as plain as it seems and neither is the impending and mysterious annual Bird Parade ! Praise for the previous title in the series, Hilda and the Midnight Giant : "Pearson's whimsical artwork, a cross between Lucky Luke and Miyazaki, creates a magical spell of a mysterious world of hidden creatures, and the production of the book makes it a treasure in itself.The story [...] never flags in imagination or wonder." Publisher's Weekly.
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